No Country for Black Men: Ross Reforms the Cinema with Distinctive Adaptation
In many ways, Nickel Boys, the narrative debut from director RaMell Ross,...
Snack Attack: Kraven The Hunter Is More Empty Calorie Superhero Slop
The existential fear among creatives is that one day, artificial intelligence will become so...
Grandma Scamma: Margolin Steals a Win with Squibb
Although there’s a prodigious sub-genre of kooky comedies featuring elderly resilient women (though more often in European...
Dial V for Voyeur: Wright Waxes Hitchcockian in Enjoyable Neo Noir
“Imitation is the sincerest form of flattery,” said Oscar Wilde, “that mediocrity can pay...
Hermes’ Hermits: Greengrass Finds Humanity in the Crevices of Revisionist Western
Home is where the hope is, rather than the heart, and there’s nary much...
It’s Easier for a Camel…: Meyers and Moverman Craft Serviceable, Familiar Remake
Although it pulls no punches in its re-working of Paolo Virzi’s 2013 title...
Grade A Time Capsule: Bo Burnham’s Offers Torturous Last Week of Middle School.
Eighth Grade is literally eighth grade in hyphenate-comedian Bo Burnham’s resonant directorial...