Tag: Gabriele Moratti

A Bit of Light | 2026 Venice Film Festival Review

Under the Cherry Moon: Asgari Lets the Sun Shine In Ali Asgari continues to highlight the precariousness of navigating modern day Tehran with his latest...

Interview: Dea Kulumbegashvili – April

After making its debut at the Venice Film Festival and touring other prestigious autumn festivals like Toronto, San Sebastian, London BFI, and NYFF, it...

April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in Body Horror I do not wish them to have power over men; but over themselves,”...

A Pain That I’m Used To: Metrograph Pictures Tables Dea Kulumbegashvili’s ‘April’

Perhaps the landmark sophomore feature of 2024, Georgian filmmaker Dea Kulumbegashvili has found a safe space in the U.S. via newish distributor Metrograph Pictures...

2022 Indie Spirits Awards Noms: The Cathedral, Palm Trees and Power Lines, Murina & Aftersun Are Glowing

Everything Everywhere All At Once, Tár, Women Talking and Bones and All are the heavyweight indies that will be properly feted the day before...

2022 Sundance Film Festival Predictions: Luca Guadagnino’s Bones & All

He had Call Me By Your Name have its world premiere in Park City, so Luca Guadagnino's first American shot film project in Bones...

Top 150 Most Anticipated Foreign Films of 2020: #124. Born to Be Murdered – Ferdinando Cito Filomarino

Born to Be Murdered Italy’s Ferdinando Cito Filomarino (great nephew of Luchino Visconti) looks set for an international breakout with sophomore feature Born to Be...

Suspiria | Review

Dance the Dance of Another: Guadagnino Goes Deeper & Weirder in Ambitious Argento Remake. Luca Guadagnino has always been a supremely divisive filmmaker, capable of...

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Interview: Nathalia Acevedo – Salón de belleza

Actress-turned-filmmaker Nathalia Acevedo made her feature directorial debut with...

Fjord | Review

Uncanny Valley: Mungiu Explores Liberated Prisons Totalitarian mentality is driven...

Interview: Jacqueline Lentzou – A Day in the Life of Jo: Chapter Phaedra

A poem. A song. An argument. An apology. Inspired...

Interview: Andrea Pallaoro – The Echo Chamber

With his fourth feature film, Andrea Pallaoro turns his...