Tag: Jafar Panahi
No Bears | Review
Blow-Out: Twice Told Tales Unfold in Panahi’s Layered Docufiction
Borders and Boundaries and Bears, Oh My! The perpetually hobbled Iranian auteur Jafar Panahi continues to...
2023 IFFR: First Wave Titles Include Charlotte Wells’ “Aftersun” & Alice Diop’s “Saint Omer”
As per usual, IFFR likes to drop a sampling of confirmed titles just before the official line-up unveiling (namely the Tiger Competition on December...
2022 TIFF: Peter Farrelly, Hong Sang-soo & Tobias Lindholm to World Premiere in Toronto
The fun part about dissecting TIFF's Gala and Special Presentations unveiling are what titles are skipping TIFF, which titles are moving directly from Venice...
2022 Venice Film Festival: Alice Diop, Poitras, Panahi & Iñárritu Among Front-Runners for the Golden Lion!
With only one title left to be unveiled (for the time being, let's call it the August 30th pre-opener as it will be actually...
2022 Venice Film Festival: 70 Predictions (Part II) Aroonpheng, Lindholm, Hogg & Rolf de Heer
Only hours before TIFF unveil what should be a sizeable amount of their line-up (and in the same sweeping motion confirm a lot of...
Ladies They Talk About: Panahi Explores Artistic Repression in 3 Faces (2018) | Blu-ray Review
Jafar Panahi won Best Screenplay at the 2018 Cannes Film Festival for 3 Faces, his fourth feature since being banned from filmmaking by the...
IONCINEPHILE of the Month: Dominga Sotomayor’s Top Ten Films of All Time List
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile, we...
3 Faces | Review
Faces, Places: Panahi Provokes the Patriarchy in Quiet Hybrid Drama
Now nearly half way through his twenty-year ban from filmmaking, (a damning sentence passed down...
2018 Cannes Critics’ Panel: Day 6 – Jafar Panahi’s Three Faces
Winner for the Camera d'Or in 1995 (Directors' Fortnight) for The White Balloon, winner of the Un Certain Regard Jury for Crimson Gold in...
Live from Cannes: 2018 Cannes Critics’ Panel – Meet the Jury!
Celebrating our seventh year, for the 71st edition of Cannes, we decided to switch things up for our Cannes Critics' Panel. First, we expanded...
The Conversation – Cannes Predictions VI: Middle East Repped by Nuri Bilge Ceylan, Jafar Panahi & Hiner Saleem
We can anticipate a handful of items from the Middle East, Africa, and India will populate several sidebars, if not the competition itself. Turkey,...
Jafar Panahi’s Taxi | Review
Riding in Cars with Directors: Panahi’s Continued Cinema of Resistance
Sanctioned Iranian auteur Jafar Panahi’s Taxi took home the 2015 Berlin Film Festival’s top prize,...
2015 TIFF: Venice Preems from Masters Skolimowski, Bellocchio & Sokurov Among 13
As usual, the Masters programme is cholk-full of carryover items from world renowned auteurs who've already premiered last February (Berlin), this past May (Cannes)...
Kino Lorber Get Behind the Wheel of Panahi’s Taxi
IndieWIRE reports that Kino Lorber has acquired the North American rights to Jafar Panahi's latest film, the third film (2011's This Is Not a Film...
Asian Delights: TIFF Loads up Masters with Zhangke, Ki-duk, Lav Diaz & Sangsoo; Midnight Madness Grabs World Preem to Alex de la Iglesia’s Witching...
The coveted final spot in the Midnight Madness section, is a world premiere screening that belongs to Alex de la Iglesia’s Witching & Bitching...