In the Mood for Love & Death: Bonello Explores the Final Frontier of Emotional Intelligence
Throughout the dizzying centuries-spanning odyssey of an unrequited love in...
Conventional Liaisons: Baier Leans into the Comedy of Crisis Through Familial Rift
Swiss director Lionel Baier completes the third section of an intended four part...
Analogue Chronicles: The Past is Present in the Latest Memory Exercise from Hadjithomas & Joreige
A veritable remembrance of things past catalyzes the semi-autobiographical narrative...
Memory Box
It’s been over a decade since the last narrative feature from Lebanese directors Joana Hadjithomas and Khalil Joriege, but they’re back with fourth...
Is There a Doctorate in the House? Chokri Skids and Skates without Moving
Moving from her award-winning short Quelqu'un d’extraordinaire (2013) debut which dealt with...
La femme de mon frère
French-Canadian actress Monia Chokri makes her directorial debut with My Brother’s Wife (La femme de mon frère). Produced by Nancy...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.