Songs from an Empty Room: Parisot Resurrects Beloved Slackers for Nostalgic Trilogy Capper
There aren’t any nonsensical yet iconic duos from 1990s pop cinema who...
Siberia
Matthew Ross didn't waste much time putting his sophomore film in place, after debuting 2016's Frank & Lola at Sundance (read review) he tapped...
Truth, Be Told: Hunt Returns to Moral Grey Zone with Courtroom Drama
The only real anomalistic quality to Courtney Hunt’s long awaited sophomore feature The...
After premiering to divisive responses at the 2016 Cannes Film Festival where it played in competition (jeers were mixed with waves of derisive laughter...
Death Walks on High Heels: Refn Delves Daftly into the Los Angeles Fashion Demimonde
To reference John Waters’ definition of beauty, “a face should jolt,...
Prior to hitting the Cannes comp with his Best Director prize winning Drive (2011) and the much disliked Only God Forgives (2013), this Danish-American...
The Neon Demon
Director: Nicolas Winding Refn
Writers: Mary Laws, Nicolas Winding Refn
Danish auteur Nicolas Winding Refn, who has since attained cult status thanks to the...
Patching together portraits of his beloved Portland streets, bits of Shakespeare's Henry IV via Welles' tumultuous Chimes at Midnight, and vignettes of a narcoleptic vagabond hustler whose motherless anxieties...
While We’re Young: Roth’s Revisits Grindhouse Home Invasion
Genre director Eli Roth presents his first remake, Knock Knock, a rehash of a 1977 grindhouse thriller,...
Suki Waterhouse will be surrounded by Diego Luna, Keanu Reeves, Jim Carrey and the already announced Jason Momoa in Ana Lily Amirpour's much anticipated...
Who the Hell is John Wick?: Leitch & Stahelski’s Revenge Flick Energetically Entertaining
Against the general mediocre trend of stuntmen turned directors, Chad Stahelski’s unassumingly...