Tag: Marie-Hélène Dozo

Young Mothers (Jeunes mères) | Review

Bonjour Tristesse: The Dardenne Bros. Explore Teenage Pregnancy In their latest neo-realist exercise on plights of the disenfranchised, the Dardenne Bros. return to gentler themes...

Tori et Lokita | Review

Suffer the Children: The Dardenne Bros. Trend of Neorealism Continues in Dismal Portrait of Migrant Children The Dardenne Bros. have built a significant filmography showcasing...

God Exists, Her Name is Petrunya | Review

Cross to Bear: Mitevska’s Playful Yet Potent Critique of the Heteropatriarchy Disarming thanks to its charming tone, which could mistakenly be defined as slight, Macedonian...

Young Ahmed | Review

Stabbing Backwards: Dardennes “Beet” Misguided Youth into Submission Up until now, even the most disenfranchised personage in Dardennian cinema had at least a glimmer of...

Interview: Roberto Minervini – What You Gonna Do When the World’s on Fire?

Roberto Minervini’s What You Gonna Do When the World’s on Fire? shines a resonant spotlight on life as an African American in New Orleans....

2019 Cannes Critics Panel: Day 8 – Dardenne Bros.’ Young Ahmed

Palme d’Or winners for 1999's Rosetta (review) and L’Enfant (2005), Jean-Pierre and Luc Dardenne have attempted to three-peat this past decade with 2011's The Kid...

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The Dreamed Adventure | 2026 Cannes Film Festival Review

The Era of Men: Valeska Dredges the Darkness of...

2026 Cannes Critics’ Panel: Were Fatherland & Fjord Tops of the Fest? We Compare Grids!

Fatherland and Fjord towered above the rest on our...

The Birthday Party (Histoires de la nuit) | 2026 Cannes Film Festival Review

Bird on a Wire: The Past Haunts the Present...

Coward | 2026 Cannes Film Festival Review

Bent Knee, Limp Wrist: Dhont Explores Love at the...