Suffer the Children: The Dardenne Bros. Trend of Neorealism Continues in Dismal Portrait of Migrant Children
The Dardenne Bros. have built a significant filmography showcasing...
Cross to Bear: Mitevska’s Playful Yet Potent Critique of the Heteropatriarchy
Disarming thanks to its charming tone, which could mistakenly be defined as slight, Macedonian...
Stabbing Backwards: Dardennes “Beet” Misguided Youth into Submission
Up until now, even the most disenfranchised personage in Dardennian cinema had at least a glimmer of...
Palme d’Or winners for 1999's Rosetta (review) and L’Enfant (2005), Jean-Pierre and Luc Dardenne have attempted to three-peat this past decade with 2011's The Kid...