Tag: Mark Gatiss

Mission: Impossible – Dead Reckoning Part One | Review

Dead Again: McQuarrie Cruises Into the Eye of AI For his seventh revolution around the sun as the indefatigable IMF agent Ethan Hunt, Tom Cruise...

Operation Mincemeat | Review

Get Them to the Greek: Madden Traipses Lightly Through Factual WWII Espionage Despite it’s presentation as a frothy pseudo-comedy, the events transpiring in John...

The Father | Review

Bend It Like Beckett: Zellers Adapts His Masterful Play into Exploratory Film In Paradise Lost, John Milton remarked “The mind is its own place, and...

Locked Down [Video Review]

Tell-Tale Hearts: Liman Conjures a Time Capsule in Curious Cinematic Exercise As cinematic content continues to unspool through premiering projects completed prior to the start...

Top 150 Most Anticipated Foreign Films of 2020: #97. The Father – Florian Zeller

The Father French playwright Florian Zeller makes his directorial debut in 2020 with UK production The Father (of note, he directed a stage version of...

Top 150 Most Anticipated Foreign Films of 2020: #150. Operation Mincemeat – John Madden

Operation Mincemeat Moving into his fourth decade of filmmaking, British director John Madden returns with a major pull the rug WWII drama in Operation Mincemeat....

2020 Sundance Film Festival: Miranda July, Julie Taymor, Dee Rees & Sean Durkin in the Premieres Section

The most acquisitions and distributor launch-pad friendly section of the festival, the Premieres category had some big ticket items in Nisha Ganatra's Late Night,...

The Mercy | Review

Come Sail Away: Marsh Gets Morose with Tale of Doomed Sailor Director James Marsh tackles the tragedy of amateur sailor Donald Crowhurst in The Mercy,...

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Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

Interview: Sandra Wollner – Everytime | 2026 Cannes Film Festival

One of the discoveries of this year's Cannes Film...