Tag: Miguel Schverdfinger

Robe of Gems | Review

Trojan Women: Lopez Crafts Collage of Complicity in Stellar Debut For her directorial debut Robe of Gems (Manto de gemas), Natalia López Gallardo resists expectations...

Interview: Natalia López Gallardo – Robe of Gems (Manto de Gemas)

Largely known as a film editor for having worked with partner Carlos Reygadas on 2007 masterwork Silent Light and with further collaborations with the...

Bull | Review

If There Be Horns: Silverstein Succeeds with Discerning Debut of Rural Desperation Likely to be compared to Chloe Zhao’s 2017 breakout The Rider, director Annie...

Annie Silverstein’s Bull | 2019 Cannes Film Festival

Not officially opening the section, but nonetheless the first film out of the Un Certain Regard gate, Annie Silverstein presented her directorial debut Bull...

Video: Cristina Gallego & Ciro Guerra’s Birds of Passage | 2018 Cannes Film Festival

They tend to always begin with a strong section opening film, and Cristina Gallego & Ciro Guerra's Birds of Passage (review) did not disappoint as...

Birds of Passage | Review

Wayuu of the Gun: Greed’s No Good in Guerra & Gallego’s Ganja Saga Crime doesn’t pay, at least not for the indigenous Wayuu people in...

Video Interview: Alejandra Márquez Abella – The Good Girls

Following her debut film Semana Santa (also a TIFF selection in 2015), which deals with the absence of a boy's father, Alejandra Márquez Abella...

Zama | Review

Mortal Transfer: Martel Returns with Lush, Dark Comedy on Colonial Maneuvering Unfairly disposed to doomed distribution prospects and perhaps unfortunate dismissal during its initial reception...

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2024 Marrakech Intl. Film Fest: Scandar Copti, Damian Kocur, Silvina Schnicer & Mo Harawe Feted

Scandar Copti's Happy Holidays, Damian Kocur's Under The Volcano,...

The Order | Review

The True Story of a Racist Gang: Kurzel Explores...

Oh, Canada | Review

Pieces of a Man: Schrader Explores Atonement in Toned...

Nightbitch | Review

All About My Mother: Amy Adams Goes to the...