Tag: Nahuel Pérez Biscayart
Kill the Jockey | Review
They Kill Horse Riders, Don’t They?: Ortega Puzzles with Deadpan Metaphors
Nothing is what it appears to be in Argentinean Luis Ortega’s latest film Kill...
My New Friends (Les gens d’à côté) | 2024 Berlin Intl. Film Festival Review
Your Friends & Neighbors: Téchiné Tries for Ethical Sentiments
Now in his eighties, director André Téchiné continues his steady, perennial output with the humanist melodrama...
Exclusive: Clip for André Téchiné’s My New Friends (2024 Berlinale)
Today we feature an exclusive clip of veteran French filmmaker André Téchiné's latest oeuvre in My New Friends (aka Les Gens d’à côté) which...
Top 200 Most Anticipated Foreign Films of 2023: #94. Erwan Le Duc’s No Love Lost
La fille de son père (aka No Love Lost)
For his sophomore feature (which received some Fondation Gan coin), Erwan Le Duc moves...
Do Not Follow: Erwan Le Duc Pits Nahuel Pérez-Biscayart & Maud Wyler in “La fille de son père”
Erwan Le Duc will be reuniting with his The Bare Necessity actress Maud Wyler and has set Nahuel Pérez-Biscayart BPM (Beats per Minute) as...
The Employer and the Employee | 2021 Cannes Film Festival Review
Bargaining Basement: Zas Presents a Touch of Caste in Free Market Melodrama
The working class do not go to heaven in Manuel Nieto Zas’ third...
The Intruder | 2020 Berlin Intl. Film Festival Review
The Sound of My Voice: Meta Delivers Masterful Psychological Identity Horror
Does it come from without or within? ‘It’ being the perception of danger, delusion...
Top 150 Most Anticipated Foreign Films of 2020: #99. Persian Lessons – Vadim Perelman
Persian Lessons
Director Vadim Perelman looks to have his most notable project in over a decade make the festival rounds in 2020 with Persian Lessons,...
Sick, Sick, Sick | 2019 Cannes Film Festival Review
Lover, Come Back: Furtado Hearts Hemoglobin in Sinister Debut
The heart is a lonely killer in Brazilian director Alice Furtado’s apprehensive narrative debut Sick, Sick,...
BPM (Beats Per Minute) | 2017 Cannes Film Festival Review
The Beat Goes On: Campillo Mounts Generous Homage to ACT UP Paris
While there are several noted cinematic renderings of the early days of the...
