Tag: Tenoch Huerta

Bel Canto | Review

Music Makes the People Come Together: Weitz Hits False Notes in Hostage Drama If ever an aria could conjure the essence of camp, it would...

The Motive | 2017 Toronto International Film Festival Review

Master of the Universe: Cuenca Returns with Predictable Exercise on the Writing Process If you can’t find a muse, make one. Or so might be...

Top 100 Most Anticipated Foreign Films of 2017: # 86. Manuel Martin Cuenca’s The Motive

The Motive Director: Manuel Martin Cuenca Writer: Alejandro Hernandez, Manuel Martin Cuenca Spanish director Manuel Martin Cuenca caught our attention with his fourth feature, the thriller Cannibal...

The 33 | 2015 AFI Film Festival Review

Mountains May Depart: Riggen Reenacts Devastating Chilean Mining Collapse Mexican director Patricia Riggen makes a curious departure with her third feature, The 33, a studio...

Güeros | Review

Like it’s 1999: Ruizpalacios’ Sprightly Directorial Debut There’s something in the air of Alonso Ruizpalacios’ directorial debut, Güeros, a beautifully shot period piece examining a...

Exclusive Clip: Pushing the Envelope in Everardo Gout’s Days of Grace (Dias De Gracia)

An official, Midnight Screening selection of the 2011 Cannes Film Festival, Everardo Gout's award-winning (landed the Ariel Awards (a.k.a Mexican Oscar) for Best First...

Days of Grace | Review

Grace is Gone: Gout’s Aggressive Debut Charts Patterns of Criminality Don’t let the poetic title fool you, as Everardo Gout’s directorial debut Days of Grace...

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Lingering Influence: Meryem Benm’Barek Filming ‘Behind the Palm Trees’

A project initially scheduled for a 2023 shoot has...

Daaaaaali! | Review

Good Golly, It’s Dali: Dupieux Dreams Surreal in Distinctive...

A Pain That I’m Used To: Metrograph Pictures Tables Dea Kulumbegashvili’s ‘April’

Perhaps the landmark sophomore feature of 2024, Georgian filmmaker...

Catch Me If You Scan: Dunst Joins Derek Cianfrance’s ‘Roofman’

Perennial favorite in American indie cinema, we'll definitely be...