Tag: Tim Robbins

Dark Waters | Review

Far From Heaven: Haynes Mounts Modest Environmental Drama In the oft-prestigious subgenre of environmental thrillers, particularly those detailing the grossly inhuman actions of powerful...

Top 100 Most Anticipated American Independent Films of 2019: #12. Todd Haynes’ Dry Run

Dry Run Todd Haynes as certainly been enamoured by the iconoclast set of glam rockers to folk artists, but he might be actually aiming for...

Video: Michael Almereyda’s Marjorie Prime – 2017 Sundance Film Fest Post Screening Q&A

“We got drunk in a bar last year and talked a lot about holograms.” – Michael Almereyda on his conversation with playwright Jordan Harrison. Just...

A Perfect Day | Review

All’s Well, End’s Well: Leon de Aranoa’s Benevolent English Debut Fernando Leon de Aranoa makes his English language debut with A Perfect Day, a period...

Welcome to Me | Review

Broadcast Blues: Wiig’s Amusing Portrait of Mental Illness Mental illness collides with reality TV inspired media for Shira Piven’s generally pleasurable oddity, Welcome to Me,...

Life of Crime | Review

Criminal Intent: Leonard Done Light What remains most enticing about Daniel Schechter’s Life of Crime is its connection to Quentin Tarantino’s 1997 masterwork, Jackie Brown....

Interview: Petra Costa (Elena)

For director Petra Costa, filmmaking is more than just an artistic expression, but an opportunity for intensely personal emotional dissection. With her most recent...

Top 200 Most Anticipated Films for 2014: #146. Shira Piven’s Welcome to Me

Welcome to Me Director: Shira Piven Writer: Eliot Laurence Producers: Kristen Wiig, BRON Studios' Aaron L. Gilbert and Marina Grasic, Gary Sanchez Productions' Will Ferrell, Adam...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas...