Tag: Wyatt Garfield

A Different Man | Review

The Face of Another: Schimberg Scrutinizes the Pratfalls of Face Value Those familiar with his 2018 sophomore film Chained for Life will likely notate director...

Manodrome | Review

Wrecked Ralph: Trengove Gazes into the Weaponization of Masculinity in Unsettling Character Study Playwright and activist Eve Ensler commented on a 2017 panel regarding how...

2024 Sundance Film Festival Predictions: Aaron Schimberg’s A Different Man

We begin our predictions list with what is one of about a half dozen or so A24 titles that are waiting to get out...

Resurrection | Review

The Killing Kindness: Semans Explores Love as a Deadly Splendored Thing in Exceptional Psychodrama “You’re Nobody till Somebody Loves You,” a popular 1940s tune made...

Interview: Edson Oda – Nine Days

Edson Oda’s debut feature Nine Days, is, quite simply, miraculous. This spiritual-fiction (“spi-fi”—coined by supporting lead Benedict Wong) film follows Will (Winston Duke in...

Video: Michael Tully’s Don’t Leave Home | 2018 SXSW Film Festival

At the SXSW Q&A, Austin-based director Michael Tully jokingly described his latest effort Don't Leave Home as 'Hereditary for old people', which may be an...

2016 Sundance Film Festival Predictions: Gabe Klinger’s Porto

Currently titled after Portuguese's second largest city and favorite gross domestic product, this fictional feature debut comes from a name who has appeared in...

Top 100 Most Anticipated Foreign Films of 2015: #88. Jonas Carpignano’s Mediterranea

Mediterranea Director: Jonas Carpignano // Writer: Jonas Carpignano Formerly going by A Chjàna, the same title as the short film (see pic above) on which this...

Popular

La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...