The Face of Another: Schimberg Scrutinizes the Pratfalls of Face Value
Those familiar with his 2018 sophomore film Chained for Life will likely notate director...
Wrecked Ralph: Trengove Gazes into the Weaponization of Masculinity in Unsettling Character Study
Playwright and activist Eve Ensler commented on a 2017 panel regarding how...
The Killing Kindness: Semans Explores Love as a Deadly Splendored Thing in Exceptional Psychodrama
“You’re Nobody till Somebody Loves You,” a popular 1940s tune made...
Edson Oda’s debut feature Nine Days, is, quite simply, miraculous. This spiritual-fiction (“spi-fi”—coined by supporting lead Benedict Wong) film follows Will (Winston Duke in...
At the SXSW Q&A, Austin-based director Michael Tully jokingly described his latest effort Don't Leave Home as 'Hereditary for old people', which may be an...
Currently titled after Portuguese's second largest city and favorite gross domestic product, this fictional feature debut comes from a name who has appeared in...
Mediterranea
Director: Jonas Carpignano // Writer: Jonas Carpignano
Formerly going by A Chjàna, the same title as the short film (see pic above) on which this...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.