Exclusive articles:
The Day After | 2017 Cannes Film Festival Review
Three Women: Sang-soo Goes for Slight(ly) Sober in Black and White Mix-up
South Korea’s Hong Sangsoo surpasses his own prolific, breakneck speed with a whopping...
Golden Years | 2017 Cannes Film Festival Review
My Baby Shot Me Down: Techine’s Tedious Period Piece a Drained Chronicle
While perennial French auteur Andre Techine delivered one of his most vibrant narratives...
The Killing of a Sacred Deer | 2017 Cannes Film Festival Review
The Dear Hunter: Lanthimos Flatlines with Terse Revenge Fantasy
There’s no arguing the unique capabilities of Greek Weird Wave alum Yorgos Lanthimos, who broke out...
Happy End | 2017 Cannes Film Festival Review
The Sunshine of Their Love: Haneke Dishes Up Black Comedy with a Dollop of Self-Loathing
Happy families are all the same in a Michael Haneke...
BPM (Beats Per Minute) | 2017 Cannes Film Festival Review
The Beat Goes On: Campillo Mounts Generous Homage to ACT UP Paris
While there are several noted cinematic renderings of the early days of the...
