Exclusive articles:
The Cut | Review
Third Cut is the Deepest: Akin’s Barren Examination of Armenian Genocide
Turkish-German director Fatih Akin concludes his decade in the making ‘Love, Death, and the...
The Ones Below | 2015 TIFF Review
Changeling Chronicles: Farr’s Eerie Debut a Duel of Deserving Motherhood
Screenwriter and playwright David Farr makes his directorial debut with The Ones Below, a psychological...
Closet Monster | 2015 TIFF Review
Epistemology of the Closet: Dunn’s Impressive Debut a Pronounced Portrait of Agitated Angst
Notable short filmmaker Stephen Dunn (Pop-up Porno, 2015) makes an impressive feature...
3000 Nights | 2015 TIFF Review
Samaritan Subterfuge: Masri’s Aggrandized Portrait of Political Metaphor
Portraits of women-in-prison have a long winding history in the annals of grindhouse and various exploitation cinema,...
The Danish Girl | 2015 TIFF Review
Danish Modern: Hooper’s Painterly Costume Drama Mounted on a Glossy Stage
Much as last year’s The Imitation Game served to honor the memory and legacy...
