Exclusive articles:
Cut Bank | Review
The Postman Always Dies Twice: Shakman’s Noir Infused Debut Underwhelms
Seasoned television director Matt Shakman (“It’s Always Sunny in Philadelphia”) makes his narrative feature debut...
52 Tuesdays | Review
Tuesday’s Child: Hyde’s Attentive Examination of Transition
Belonging to a growing number of films taking place over real time, Australian director Sophie Hyde’s directorial debut,...
Effie Gray | Review
Portrait of a Lady: Laxton’s Mannered Version of Victoria Era Repression
There’s well-meaningness to Effie Gray that makes it worthy of discussion, at least for...
5 to 7 | Review
Love in the Afternoon: Levin’s Gallic Flavored Romantic Drama Lacks Sense of Amour Fou
Writer and producer Victor Levin makes a patiently observed portrait...
The Girl is in Trouble | Review
Trouble in Mind: Onah’s Homage to Neo Noir an Indie Echo of Device
In development for the past five years since it was initially announced,...
