Exclusive articles:
Eo | Review
Donkey Skin: Skolimowski Restages Bresson for the Modern Age
Robert Bresson’s 1966 film Au Hasard Balthazar is considered a masterpiece, though its reputation took a...
Un Couple | Review
A Human Voice: Wiseman Explores Catharsis and Suppression in Tranquil Soliloquy
It’s no secret the Tolstoy household was also unhappy in its own unhappy way...
Interview: Tayfun Pirselimoğlu – Kerr
In anticipation of the upcoming 95th Academy Awards, I spoke with Tayfun Pirselimoğlu, whose latest film Kerr is Turkey’s official submission in consideration for...
Interview: Michal Blaško – Victim
In anticipation of the upcoming 95th Academy Awards, I spoke with Michal Blaško, whose debut film Victim is Slovakia’s official submission in consideration for...
La caja (The Box) | Review
Father Knows Best: Vigas Caps His Father/Son Trilogy with Blunt Brutality
In his long-gestating follow-up to 2014 Golden Lion winner From Afar, Venezuela’s Lorenzo Vigas...
