Exclusive articles:
The Whale | Review
Charlie and the Tragedy Factory: Aronofsky Returns with Potent Chamber-piece on Despair and Redemption
Obesity is far from the only morbid element marinating the bleak...
Interview: Yorgos Gousis – Magnetic Fields
In anticipation of the upcoming 95th Academy Awards, I chatted with Yorgos Gousis, whose debut film Magnetic Fields is Greece’s official submission in consideration...
Interview: Viesturs Kairišs – January
In anticipation of the upcoming 95th Academy Awards, I chatted with Viesturs Kairiss, whose latest film January is Latvia’s official submission in consideration for...
The Eternal Daughter | Review
I Remember Mama: Hogg Explores Film as Memento Mori in Gloomy Ghost Story
Our own memories are the ghosts haunting us, or at least the...
White Noise | Review
Death Wishes: Baumbach Dons DeLillo’s Satirical Death March
The characters anchoring the existential narrative of White Noise have kindly stopped for death, so consumed with...
