Video: Gaspar Noé’s Climax | 2018 Cannes Film Festival

In terms of the narrative, it might be his most minimalist and arguably, this stands as Gaspar Noé‘s best film to date. In terms of blueprint for both sound (Ken Yasumoto) and image (Benoît Debie’s vibrantly camerawork), this is an eyegasm pretty after the introduction of characters (VHS tape interview) are done with Climax. which our Nicholas Bell explains as “forever attuned to the sensory possibilities of cinema, provides a film which begins like a hit of amyl nitrate before it descends headlong into hysterical overdose territory, reeling like a nasty hangover after closing time at Berghain.” We would have preferred to see the night screening with cast in full dance mode, but we were nonetheless on hand for the world preem screening in the early a.m where all the buzz broke.
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist and critic at IONCINEMA.com (founded in 2000). Eric is a regular at Sundance, Cannes and TIFF. He has a BFA in Film Studies at the Mel Hoppenheim School of Cinema. In 2013 he served as a Narrative Competition Jury Member at the SXSW Film Festival. He was an associate producer on Mark Jackson's This Teacher (2018 LA Film Festival, 2018 BFI London). In 2022 he served as a New Flesh Comp for Best First Feature at the 2022 Fantasia Intl. Film Festival. Current top films for 2022 include Tár (Todd Field), All That Breathes (Shaunak Sen), Aftersun (Charlotte Wells).
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