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It’s Only the End of the World | 2016 Cannes Film Festival Review

Don’t They Know?: Dolan Delivers a Dud with Familial Drama Though no stranger to working with French stars, Quebecois filmmaker Xavier Dolan makes his first...

Who Is Harry Kellerman and Why Is He Saying All These Terrible Things About Me? | Blu-ray Review

Though he’s still best known for his considerable resume as a director of the stage, Ulu Grosbard formulated a sporadic yet significant filmography in...

Boychoir | Review

The Angels' Share: Girard’s Musical Drama a Conventional Return Quebecois filmmaker Francois Girard returns from a near decade long hiatus with Boychoir, his first cinematic...

The Cobbler | Review

Shoe Be Doo: McCarthy’s Magical Realism Has No Sole Actor Thomas McCarthy has developed a solid reputation as an indie film director thanks to his...

Chef | Review

Mostly Favreau: Actor/Director’s Return to Indie Scene a Pleasant Surprise A thinly veiled allegory for Jon Favreau’s own career, whether he consciously means it to...

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2025 Cannes Critics’ Panel: Day 9 – Carla Simón’s ‘Romería’

In competition film #16 of the twenty-two offerings, and...

The History of Sound | 2025 Cannes Film Festival Review

One Sings, the Other Doesn’t: Hermanus Plays a Tune...

Romería | 2025 Cannes Film Festival Review

Blood Relatives: Simon Treads Familiar Water with Continued Autofiction After...

Fuori | 2025 Cannes Film Festival Review

Hoosegow Girls: Martone Pays Delicate Tribute to Goliarda Sapienza ...

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