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The Cut | Review

Third Cut is the Deepest: Akin’s Barren Examination of Armenian Genocide Turkish-German director Fatih Akin concludes his decade in the making ‘Love, Death, and the...

Dark Places | Review

Grim Girl: Pacquet-Brenner’s Adaptation Brandishes Relentlessly Contrived Twists “I have a meanness in me,” warns the omniscient narrator of Dark Places, as voiced by a...

2015 Venice Film Festival: Guadagnino, Sokurov, Kaufman, Bellocchio & Fukunaga Compete for Golden Lion

With the exception of Cary Fukunaga's Beasts of No Nation and Tom Hooper's The Danish Girl, the nineteen other films in Venice Film Festival's...

Mad Women | Review

Women on the Verge: Lipsky’s Overwrought Portrait of Dysfunction Those having experienced the independent cinema styling of Jeff Lipsky won’t be surprised by the end...

Wild | Blu-ray Review

Grossing just under forty million domestically and scoring two Academy Award nominations (for its actresses Reese Witherspoon and Laura Dern), Wild arrives on Blu-ray...

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2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...

The Most Precious Of Cargoes | Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in...

Romería | Review

Blood Relatives: Simon Treads Familiar Water with Continued Autofiction After...

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