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Nymphomaniac: Volume I | Review

The Girl Can’t Help It: Von Trier’s Indelible First Chapter a Sobering, Ruminative Examination of the Last Cinematic Frontier In today’s modern world, where cinematic...

S#x Acts | Review

Sextette: Gurfinkel’s Debut an Uncomfortable Sashay into Female Victimhood Exuding enough uncomfortable finesse to be ranked as one of several cinematic explorations that appear to...

Bastards From a Basket; Sundance Selects Ropes Denis’ Cannes Sensation

A true whodunit type but of a different vibe, the one film from this years' Cannes that should have gotten picked up around the...

Asian Delights: TIFF Loads up Masters with Zhangke, Ki-duk, Lav Diaz & Sangsoo; Midnight Madness Grabs World Preem to Alex de la Iglesia’s Witching...

The coveted final spot in the Midnight Madness section, is a world premiere screening that belongs to Alex de la Iglesia’s Witching & Bitching...

NYFF51 Loads Up with the Best from Cannes: Kore-eda, Jarmusch, Denis, Zhangke, Guiraudie, Coens & Kechiche

Not unlike previous years, NYFF programming team with Kent Jones as the top curator have gone with an auteur friendly, Croisette heavy line-up with...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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