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Crimes of the Future | Review

Origin of the Neo-Species: Cronenberg Crafts a Discourse on Human Evolution Whatever the evolution happening in the world of David Cronenberg’s Crimes of the Future,...

Cannes Critics’ Panel: Lukas Dhont’s Close Edges Out Crimes of the Future as Best Rated Film in 2022

It will have been a nail-biting final vote that determined the official top film among our 2022 Cannes Critics’ Panel. Lukas Dhont's Close finishes...

2022 Cannes Critics’ Panel: Day 10 – Lukas Dhont’s Close

His Un Certain Regard selected debut film Girl claimed the Camera d’Or, FIPRESCI Prize, Un Certain Regard Jury Award for Best Performance, and the...

2022 Cannes Film Festival: Nicholas Bell’s Top 5 Most Anticipated!

It's the most important film event in the world and physically it stretches from the Grand Lumiere theatre (which houses plenty of films including...

Live from Cannes: 2022 Cannes Critics’ Panel – Meet the Jury!

Last year's behemoth two dozen title competition saw Julia Ducournau’s Titane take the top honors landing the Palme d'Or but our jury of twenty...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas...

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