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The Vast of Night | Review

Blast from the Vast: Patterson Impresses with Lo-Fi Sci-Fi Occasionally, an innovative debut manages to come along which accomplishes a formidable mise en scene...

2020 Sundance Film Festival: Janicza Bravo’s Zola, Josephine Decker’s Shirley & Eliza Hittman’s Never Rarely Sometimes Always in U.S. Dramatic Comp

Among the sixteen narrative feature films announced today all vying for Grand Jury Prize Award we have highly anticipated items from Janicza Bravo (Zola),...

Cop Shop: Siegel Crafts a Template with Widmark in Dated Cop Drama “Madigan” (1968) | Blu-ray Review

Kino Lorber refurbishes two B-side tracks from the filmography of Don Siegel, exemplifying both the highs and lows of his penchant for contemporary crime...

Where’d You Go, Bernadette? | Review

Fox and Her Friends: Linklater Falters on the Architecture of Blanchett in Bizarre, Uneven Dramedy The boldest move made by Richard Linklater in his latest...

The Kitchen | Review

The Kitchen, God’s Wife: Berloff Doesn’t Bring the Heat in Halting Melodrama Hell may as yet have no fury like a woman scorned, but the...

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Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...

The Most Precious Of Cargoes | Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in...

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