Tag: Manu Dacosse

A Past That Won’t Let Go: Pio Marmaï & Sandor Funtek topline François Ozon’s ‘Le mal est fait’

Production is set to begin next week on a remarkable twenty-fifth feature film for French filmmaker François Ozon. The Cineuropa folks report that Ozon...

The Stranger (L’étranger) | Review

Anatomy of a Mime: Ozon Explores the Seduction of Indifference Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...

2026 Lumières Awards: François Ozon’s ‘The Stranger’ Sweeps “France’s Golden Globes” with Trio of Awards

Five weeks before the César Awards ceremony, we find The Stranger (aka L'étranger) possibly emerging as the possible favorite with François Ozon landing Best...

Maldoror | Review

Investigation of a Citizen Under Suspicion: Du Welz Revisits Bungled Belgian Murder Case “It is grand to contemplate the ruins of cities; but it is...

Reflection in a Dead Diamond | Review

Feed My Fetish, Please: Cattet & Forzani Pay Homage to the Eurospy in Dazzling Pastiche Whether giallo gore or Western shaped, their films don’t lose...

Peter von Kant | Review

Save Your Tears for Another Day: Ozon Revels in the Camp Mystique of R.W. Fassbinder It’s clear François Ozon has long been obsessed with the...

Inexorable | 2021 Toronto Intl. Film Festival Review

The Hand that Mocks the Cradle: Du Welz Finds an Interloper in Vintage Throwback Long before a lithesome ingenue shows up to ruin a wealthy...

Interview: Fabrice Du Welz – Inexorable

For his seventh feature film Belgian filmmaker Fabrice Du Welz returns to the family domicile to chaos and mayhem. While in his previous film...

Video Interview: Fabrice du Welz – Adoration

A philosopher once said that despair can never be dissolved through escape, but by observing it. There isn't much in terms of reprieve Locarno...

Adoration | Review

Gloria, You’re Always on the Run Now: Du Welz Completes Ardennes Trilogy with Innocence Lost in Dark Fairy Tale An exercise wherein true and unfaltering...

Let the Corpses Tan! | Review

All that Glitters: Cattet & Forzani Cut Stylish Swath Through Arid Neo-Western For their third film, Let the Corpses Tan!, another heavily styled recalibration of...

Video: Bruno Forzani & Hélène Cattet’s Let the Corpses Tan – 2017 TIFF Post Screening Q&A

We've been tracking this duo since Amer (2009) and shortly after 2013's The Strange Colour of Your Body's Tears. Once news dropped that Locarno...

The Conversation: Top 10 Technicians Mid-Year Ranking

With directors and/or actors usurping most of the credit and acclaim for lauded film features, we chose to highlight a few of the behind-the-scenes...

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Interview: Benjamín Naishtat & Esteban Bigliardi – Glaxo

World premiering at the 2026 Toronto Intl. Film Festival,...

2026 Marrakech Intl. Film Festival: New Projects by Sofia Alaoui, Yasmine Benkiran & Jessy Moussallem at the Atlas Workshops

Moroccan filmmakers Meryem Benm’barek, Sofia Alaoui and Yasmine Benkiran...

Club Kid | 2026 London BFI Film Festival Review

Sex, Drugs & Unexpected Parenting: Firstman’s Debut Creates an...

La bola negra | Review

The Play’s the Thing: Ambrossi & Calvo Connect the...