Anatomy of a Mime: Ozon Explores the Seduction of Indifference
Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...
Five weeks before the César Awards ceremony, we find The Stranger (aka L'étranger) possibly emerging as the possible favorite with François Ozon landing Best...
Father Knows Best: The Coulin Sisters Examine the Detrimental Ripples of Fascism
With their third feature, The Quiet Son, French directing duo Delphine and Muriel...
Summertime Sadness: Ozon Casts Yonder Glance at the Boys of Summer
Rare is the year without a fresh offering from perennial French favorite François Ozon,...