Tag: Boy From Heaven

Cairo Conspiracy | Review

You Gotta Have Faith: Saleh Explores Corruption of Institutions in Procedural Thriller “Power is a double edged sword. Sometimes it cuts the hand that wields...

2023 Oscars: Close, Saint Omer & Corsage Lead Best Intl. Feature Film Category of 92 Countries

For the next six weeks in Los Angeles (mostly), there'll be individual film campaigning to be among the fifteen shortlist choices on December 21st....

2023 IFFR: First Wave Titles Include Charlotte Wells’ “Aftersun” & Alice Diop’s “Saint Omer”

As per usual, IFFR likes to drop a sampling of confirmed titles just before the official line-up unveiling (namely the Tiger Competition on December...

2022 European Film Awards: Alcarràs, Close, Triangle of Sadness, Corsage & Holy Spider on 30 Short List

It's that time of year again where Euro titles from Venice of the previous year duke it out with Euro Cannes film productions of...

2022 Cannes Film Festival Winners [Video]

We cap off our coverage of every Cannes Film Festival edition with the press room presentations of all of the evening's winners. Swedish helmer...

2022 Cannes Coverage Wrap-Up: Competition

Armageddon Time - James Gray Boy from Heaven - Tarik Saleh Broker - Hirokazu Kore-eda Frère et sœur - Arnaud Desplechin Close - Lukas...

2022 Cannes Critics’ Panel: Day 4 – Tarik Saleh’s Boy from Heaven

Now at the five feature film mark, Swedish filmmaker Tarik Saleh reunites with his The Nile Hilton Incident (2017) star a scruffy Fares Fares...

Live from Cannes: 2022 Cannes Critics’ Panel – Meet the Jury!

Last year's behemoth two dozen title competition saw Julia Ducournau’s Titane take the top honors landing the Palme d'Or but our jury of twenty...

2022 Cannes: Abbasi, Dhont, Reichardt, Mungiu & Claire Denis Among 18 Titles Vying for Palme d’Or

The likes of first-time comp contenders Kelly Reichardt, Ali Abbasi and Lucas Dhont are joining former Palme d'Or winners Ruben Östlund, Kore-eda Hirokazu, the...

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Interview: Katla Sólnes – Eruption / 2025 Sundance Screenwriters Lab Fellow

We had the chance to speak to a small...

Parthenope | Review

The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of...

Bring Them Down | Review

Everybody Hurts: All Pain and No Gain in Christopher...

Interview: Natalia León – Como si la tierra se las hubiera tragado (2025 Sundance Short)

A touching, sober, political and poignant text on femicide,...