Tag: Condola Rashad

Come Sunday | Review

Preaching to the Choir: Marston Tackles Modern Heresy in Orthodox Glance at Evangelical Hypocrisy There are numerous epithets various strands of Christianity tend to utilize...

Sundance 2018: Madeline’s Madeline Helena Howard Leads our Top 10 New Faces

Last week we looked at the impressive class of new voices who made a noticeable mark at Sundance '18, and now we go in...

Top 100 Most Anticipated American Indie Films of 2018: #41. Joshua Marston’s Come Sunday

Come Sunday Joshua Marston's fourth feature film once again sees him work within a dramatic genre framework, but becomes a first bio-treatment for the helmer...

Sundance ’18: Wash Westmoreland, Debra Granik, Gus Van Sant & Zellner Bros. In Premieres Section

Despite not expecting the Premieres sections to be drop today, several of the narrative items below were on our radar and make for what...

2018 Sundance Film Festival Predictions: Joshua Marston’s Come Sunday

A place that can be avoided by obedience to God and his commandments, the Mormons don't see what all the fuss is about like...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...