Despite having directed several dozen films across a career which ranged from 1930s Germany to late 1950s Hollywood, Douglas Sirk is best remembered for...
When one ponders the filmography of Douglas Sirk, one languishes in his successful meditation on stifled American lives in his 1950s soapy melodramas, the...
Kino Lorber unleashes their second volume of forgotten film noir classics with Film Noir: The Dark Side of Cinema II which includes three distinctly...
There remains a dearth of unappreciated titles from German émigré Douglas Sirk’s lengthy filmography, which basically includes anything outside of his seminal Hollywood melodramas...
As Laura Mulvey’s essay, “An Articulate Screen” contends, 1955’s All That Heaven Allows was “just another critically unnoticed Hollywood genre product,” the attempt for...