Tag: Jaroslaw Kaminski

Woman Of… | 2023 Venice Film Festival Review

Pieces of a Woman: Szumowska & Englert Compose Compassionate Portrait of Trans Woman “Testosterone is power,” confirms one physician advising Andrzej, the protagonist of Malgorzata...

Interview: Agnieszka Smoczynska – Fugue

Agnieszka Smoczynska's 2015 The Lure was quite the sensation, having made a splash at Sundance and having enjoyed a growing reputation in the years...

Fugue | Review

Staring into the Known: Smoczyńska Offers Low-key, Uncompromising Sophomore Feature Surely not the follow up effort audiences might have had in mind from the creator...

Infinite Storm | Review

White Woman in a Blizzard: Szumowska Pitts Watts Against the Elements in True Life Trauma Drama Polish director Małgorzata Szumowska unleashes her tenth narrative feature...

Never Gonna Snow Again | Review

Intimate Strangers: Szumowska & Englert Explore Despondency & Isolation Our innate capacity for constructing the vehicles of our own alienation and ennui inform the backdrop...

Quo Vadis, Aïda? | Review

And Who Shall Be Able to Stand?: Žbanić Returns to Srebrenica in Harrowing Account of Bosniak Genocide If cinema has any responsibility as an artform,...

The Other Lamb | Review

Lamb Tied to (Mis)Take: Szumowska Gets Culty with English Language Debut Cults seem to be making something of a comeback in popular film culture, which...

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Jouhatsu Junction: Humanist Vampire… Helmer Ariane Louis-Seize Picking ‘Cherry Blossoms’

Telefilm Canada have put some sizeable coin towards a...

2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race

Canada submits Berlinale winner Nina Roza by Geneviève Dulude-de...

2027 Oscars: ‘Everytime’, ‘Coward’ & ‘Possible Loves’ Enter International Feature Oscar Race

The International Feature Film category is only beginning to...

Park Ji-Min Joins Théodore Pellerin in Philippe Lesage’s ‘I Just Want a Great Love Story’

Production has begun on Philippe Lesage's highly anticipated I...