Tag: South Korean Cinema
Hope | 2026 Cannes Film Festival Review
Monster Squad: Hong-jin Goes Full-Blown Extraterrestrial
For his fourth feature, South Korean director Na Hong-jin goes for breakneck, relentless mayhem in the curiously titled Hope....
What Does that Nature Say to You | Review
The Parent Trap: Sang-soo Takes Sideways Swipe at Social Etiquette
A constant purveyor of how subtle social cues are obliterated by the lowered inhibitions of...
By the Stream | Review
Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes
Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur...
A Traveler’s Needs | Review
The Traveler Has Come: Huppert Shines in Latest Collaboration with Sang-soo
There are few directors who seem to rightly channel the comic side of Isabelle...
In Not Just Another Country: Isabelle Huppert Takes a Third Trip with Hong Sang-soo
After teaming on In Another Country (2012) and Claire's Camera (2017) we've learned via a key internet sleuth that the two workhorses of actress...
Top 200 Most Anticipated Foreign Films of 2023: #33. Untitled Hong Sang-soo Project
It's almost laughable just how prolific South Korean filmmaker Hong Sang-soo is - it's almost as if there is this continual assembly line of...
Top 200 Most Anticipated Foreign Films of 2023: #152. Kim Jee-woon’s Cobweb
Cobweb
Known for A Tale of Two Sisters (2003), Cannes preemed A Bittersweet Life (2005) and The Good, The Bad, The Weird (2008), and his...
Broker | Review
Be My Little Baby: Kore-eda Gets Weepy with Sentimental Adoption Drama
Hirokazu Kore-eda, Japan’s esteemed purveyor of domestic melancholy, continues with his bid for...
Decision to Leave | Review
Suspicious Minds: Park-wook Returns with Thriller of Diminishing Returns
For the first hour of its lengthy running time, Decision to Leave, Park Chan-wook’s first theatrical...
Introduction | 2021 Berlin International Film Festival Review
Prelude Mood: Sangsoo Explores Familiar Themes with Droll Snippets
What might one make of Hong Sang-soo if Introduction was their first experience with the perennial...
Train to Busan Presents: Peninsula
Zombie Nation: Sang-ho Widens the Net, Lessens the Scope in Sprawling Sequel
There is no room in the conceit ‘less is more,’ it seems, in...
The Woman Who Ran | 2020 Berlin Intl. Film Festival Review
Rendezvous in Seoul: Sang-soo Gets Spare in Conversational Triptych
Ending a rare year-long absence from the cinema (an observation of note since he presents two...
Parasite | 2019 Cannes Film Festival Review
A Judgement in Stone: Joon ho Tackles Privilege in Black Comedy
Strident class disparities in South Korea provide Bong Joon-ho with a novel approach to...
Hotel by the River | Review
Heartbreak Hotel: Estrangement and Reunion Synchronize in Latest Sangsoo Slice of Life
It’s a short-lived distinction to be called the latest anything from South Korean...
Top 150 Most Anticipated Foreign Films of 2019: #26. Parasite – Bong Joon-ho
Parasite
Bong Joon-ho returns to South Korea for his seventh feature Parasite, which is his fourth collaboration with actor Song Kang-ho in what seems to...
Burning | Review
A Touch of Class: Chang-dong Returns with Masterful Class Clash
Puns concerns its slow build will be sincerely intended in forthcoming deliberations on South Korean...
