Tag: Sylvie Verheyde

2022 Locarno Film Festival: Mazuy, Wittmann, Murat, Verheyde & Woo Ming Jin Vying for the Golden Leopard

It'll be a field of seventeen competition offerings from the likes of master filmmaker Aleksandr Sokurov (Fairytale) to a pair of first time (not...

Top 100 Most Anticipated Foreign Films of 2021: #93. Sylvie Verheyde’s Madame Claude

Madame Claude A Parisian period piece about a 1960s brothel madame wasn't in the cards for 2020, but Sylvie Verheyde's sixth feature Madame Claude will...

Top 150 Most Anticipated Foreign Films of 2020: #71. Madame Claude – Sylvie Verheyde

Madame Claude Director Sylvie Verheyde returns to the world of the sex worker in her sixth feature, Madame Claude, a Parisian period piece about a...

Through the Looking Glass: The Top 100 Most Anticipated Foreign Films of 2020 – Picks #100 to #11

While we look forward to a plentiful 2019 as far as foreign cinema is concerned (of which we highlighted #300-151 and our countdown #150-1 to anticipate...

The Conversation: Cinema Italiano – 2016 Venice Film Festival Predictions

Looking towards the Lido, we’re just over three months away before the fourth quarter Fall Festival circuit kick off, and the final prestigious competition...

Confession of a Child of the Century | Blu-Ray Review

In 2012, French director Sylvie Verheyde mounted an ambitious, English language adaptation of Alfred de Musset’s controversial 1836 autobiographical novel Confession of a Child...

Top 100 Most Anticipated Foreign Films of 2016: Picks 200-101

It's become a great breaking in the new year traditional here at IONCINEMA.com. We begin our countdown to the our most anticipated foreign films...

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Tropical Tapestry: Apichatpong Weerasethakul Won’t Shoot ‘The Fountains of Paradise’ before 2026

In an interview with Les Inrocks folks, Apichatpong Weerasethakul...

Lingering Influence: Meryem Benm’Barek Filming ‘Behind the Palm Trees’

A project initially scheduled for a 2023 shoot has...

Daaaaaali! | Review

Good Golly, It’s Dali: Dupieux Dreams Surreal in Distinctive...

A Pain That I’m Used To: Metrograph Pictures Tables Dea Kulumbegashvili’s ‘April’

Perhaps the landmark sophomore feature of 2024, Georgian filmmaker...