Tag: Thomas Mann

Marcel the Shell with Shoes On | Review

Clam Happy: Fleischer-Camp Fleshes Out His Amusing/Absurd Sketch of a Precocious Mollusk On paper, the inevitability of something like Marcel the Shell with Shoes On...

Halloween Kills | Review

Boogeyman Nights: Green Overextends Himself in the Myers Saga There is truth in having too much of a good thing, or, rather, adhering to the...

Maine | 2018 Tribeca Film Festival Review

Trail Mix: Brown Offers Ephemeral Romance on Appalachian Hike The anti-thesis of a fight-against-the-elements type narrative a la Wild or Tracks, Maine unfolds quietly and emphasizes...

Top 100 Most Anticipated American Indie Films of 2018: #19. Nicole Holofcener’s The Land of Steady Habits

The Land of Steady Habits Treading familiar waters but nonetheless, her output always feels fresh, The Land of Steady Habits actually counts as a first for veteran...

2018 Sundance Film Festival Predictions: Nicole Holofcener’s The Land of Steady Habits

She has been a fixture as a creative advisor, panelist and helmer who up until Toronto preemed Enough Said (2013) saw every single one...

Kong: Skull Island | Review

Kong’s Crib: Vogt-Roberts Strains Weak Characters Through Special Effects Pageant In the continuing tradition of flinging fledgling indie directors into studio tent pole franchise reboots,...

2017 Sundance Film Festival Predictions: Andrew Haigh’s Lean on Pete

Seeing that Andrew Haigh's career has been climbing in the same upward trajectory as the best stock options on the fortune 500, we shouldn't be...

Me and Earl and the Dying Girl | Review

Fault in Our Tastes: Teenage Death Gets Warmed Over in Gomez-Rejon’s Celebrated Sophomore Film Taking home the Grand Jury and Audience prize following its warmly...

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Die My Love | 2025 Cannes Film Festival Review

Images of Yellow Wallpaper: Ramsay Charts a Psychotic Break For...

2025 Cannes Critics’ Panel: Day 5 – Chie Hayakawa’s ‘Renoir’

Gradually making her presence known on the Croisette first...

Des preuves d’amour (Love Letters) | 2025 Cannes Film Festival Review

Evidence of Love: Douard’s Debut Reads Between the Lines...

I Only Rest In The Storm | 2025 Cannes Film Festival Review

White Impact: Pinho Explores the Ponderous Progress Through Post-Colonial...