Tag: Tom Waits
Wild Horse Nine | Review
They Shoot Agents, Don’t They?: McDonagh Morosely Reflects a Pernicious Empire
Americans can’t quite seem to directly engage with their ills of the present by...
Ray Gunn | 2026 London BFI Film Festival Review
An Open and Shut Case: Bird’s Passion Project Feels 30 Years Too Late
A sci-fi, detective story ruminating in the mind of Pixar legend Brad...
Father Mother Sister Brother | Review
Terms of Estrangement: Jarmusch’s Amusing Triptych on Familial Labors
If each unhappy family is unhappy in their own way, there are still a wide variety...
Licorice Pizza [Video Review]
Age is just a number but when you're a teen at footsteps of what are unattainable gates to adulthood it could feel like entire...
The Dead Don’t Die | Review
Fear the Mocking Dead: Jarmusch’s Zombie Sketch is DOA
“The world is perfect. Appreciate the details,” says deliveryman RZA (in one of the film’s many...
2019 Cannes Critics’ Panel: Day 1 – Jim Jarmusch’s The Dead Don’t Die
A long and rich history with the festival since 1984's Stranger Than Paradise premiered on the Croisette and won the Caméra d'or 1984, Jim...
Top 100 Most Anticipated American Independent Films of 2019: #4. Jim Jarmusch’s The Dead Don’t Die
Shifting sideways from the extensionalism lethargy found vampires in goth tweaked Only Lovers Left Alive to possibly reanimated corpses that haven't said their last word...
The Ballad of Buster Scruggs | Review
Six of the West: Coen Bros. Release Minor, Uneven Collection of Frontier Short Stories
In thinking about the anthology form in cinema, Joel and Ethan...
Top 100 Most Anticipated American Indie Films of 2018: #12. David Lowery’s Old Man and the Gun
Old Man and the Gun
We were correct with our Sundance prediction stating that David Lowery would be at Sundance this year, but it was...
2018 Sundance Film Festival Predictions: David Lowery’s Old Man and the Gun
He was getting ready to hit the editing dock not long after I had the chance to speak to him during the tale end...
