Exclusive articles:
The Rose Maker (La fine fleur) | Review
In the Name of the Rose: Frot Elevates Formulaic Melodrama from Pinaud
“What is life without beauty?,” inquires antiquated rosarian Eve Vernet in Pierre Pinaud’s...
Sonne | 2022 Berlin International Film Festival Review
The Sun Also Scheisse: Ayub Explores Identity Politics in Modern European Diaspora
For her directorial debut, Sonne, director Kurdwin Ayub draws on her background as...
The Bubble | Review
The Exterminating Sound Stage: Apatow Skewers Hollywood’s Pandemic Age in Moderately Amusing Satire
Straddling a blurry line between satirizing Hollywood’s franchise cupidity and a queasy...
Zero Fucks Given (Rien à foutre) | Review
Ground Control: Exarchopoulos Takes Flight in Portrait of Repressed Anguish
For their directorial debut Zero Fucks Given, Julie Lecoustre and Emmanuel Marre opt for a...
Criterion Collection: Adoption (1975) | Blu-ray Review
Women face a complex and compounded pressure of perfection when it comes not just to initial reception of their artistic achievements, but also their...
