Exclusive articles:
The Mustang | Review
They Shoot Horses, Don’t They?: de Clermont-Tonnerre Leads Us to Water with Minimalist Melodrama
Animal love is at the heart of Laure de Clermont-Tonnerre’s directorial...
Knife + Heart | Review
Your Vice is a Locked Room and Only I Have the Key Light: Gonzalez’s Queer Giallo a Dicey Mélange
Love as an overwhelming, all-consuming fire...
Ash Is Purest White | Review
Love is Like a Stove: Zhangke Tackles Genre in Time-Spanning Romance
Chinese auteur Jia Zhangke continues to experiment in tone and form with his latest...
3 Faces | Review
Faces, Places: Panahi Provokes the Patriarchy in Quiet Hybrid Drama
Now nearly half way through his twenty-year ban from filmmaking, (a damning sentence passed down...
Criterion Collection: Shame (1968) | Blu-ray Review
Things were grim in 1968, the reflection of which was interpreted by Ingmar Bergman, who delivered two of his bleakest portraits beginning with his...
