Exclusive articles:
Me and Earl and the Dying Girl | Review
Fault in Our Tastes: Teenage Death Gets Warmed Over in Gomez-Rejon’s Celebrated Sophomore Film
Taking home the Grand Jury and Audience prize following its warmly...
Hungry Hearts | Review
Heart of Glass: Costanzo’s Uncomfortable, Emotional Glance at Madness
Must every cinematic portrait of mental illness be ‘illuminating?’ Your answer to that question may gauge...
We Are Still Here | Review
From its chilly opening sequences and impressive title unveil, Ted Geoghegan’s slim yet sturdy debut We Are Still Here belongs to a contemporary tradition...
A Pigeon Sat on a Branch Reflecting on Existence | Review
Familiar Tune: Andersson Completes Trilogy With Enjoyable, Familiar Chapter
Prolific Swedish filmmaker Roy Andersson tends to work infrequently, taking years, if not decades, between film...
Uncertain Terms | Review
Rebounds and Role-play: Silver’s Latest Returns to Uncomfortable Interactions
With his fourth feature film, Uncertain Terms, indie film director Nathan Silver advances the knack he...
