Exclusive articles:
A Man (Aru Otoko) | 2022 Venice Film Festival Review
The Good Thief: Ishikawa Explores the Tenuous Reality of Identity
As its elemental title suggests, Kei Ishikawa’s fourth film, A Man, asserts we can only...
Dirty Difficult Dangerous | 2022 Venice Film Festival Review
Done Dirt Cheap: Charaf Chafes at Exploited Migrants in Scanty Drama
For his sophomore film, Dirty Difficult Dangerous, Lebanese/French director Wissam Charaf presents an indictment...
Princess | 2022 Venice Film Festival Review
Grimm Fairy Tale: De Paolis’ Neo-Realist Exploration of Migrant Sex Work Brazen, Bewildering
Life’s anything but a fairy tale for the titular character at the...
Peter von Kant | Review
Save Your Tears for Another Day: Ozon Revels in the Camp Mystique of R.W. Fassbinder
It’s clear François Ozon has long been obsessed with the...
Funny Pages | Review
Drawn That Way: Kline Makes a Mark with Singular Coming-of-Age Comedy
The emphasis of form vs. soul is the riddle at the crux of Funny...
