Cross to Bear: Mitevska’s Playful Yet Potent Critique of the Heteropatriarchy
Disarming thanks to its charming tone, which could mistakenly be defined as slight, Macedonian...
The Play’s the Thing: Schanelec Shines with Striking Dynamic on Artifice vs. Authenticity
Words pour out of us, as the main character vocalizes in one...
Truth Be Told: Holland Revisits the Horror of the Holodomor
Polish director Agnieszka Holland returns to a subject matter favored in her most memorable offerings—lost...
Strife Itself: Scherfig Delivers Major Misfire with Manhattan Set Melodrama
Lest we forget, it was Blanche Dubois, the broken seductress of Tennessee Williams’ classic A...
No Glove No Love: Akin Revels in Garish Grotesqueries with Squalid Period Piece
Turkish-German director Fatih Akin resurrects the obscure German serial killer Fritz Honka...
Time to Leave: Olteanu’s Debut Examines the Strain of Sacrifice in Studied Marital Drama
The relationship at the center of Romanian director Marius Olteanu’s carefully...
Steppe in the Name of Love: Quan’an Returns with Distinctive, Mysterious Flair
For his seventh feature, Chinese filmmaker Wang Quan’an turns to the Mongolian steppe...