Tag: 2019 Pingyao Crouching Tiger Hidden Dragon Intl. Film Festival

Interview: Anthony Chen & Yann Yann Yeo – Wet Season

Hot news from PYIFF, Singapore’s Wet Season takes home a whopping three awards, including the Cinephilia Critics’ Award, and two Fei Mu Awards for...

Interview: Melina León – Song Without a Name

This past May, Melina León made history with her haunting debut feature, Song Without a Name, as the first female Peruvian director to premiere...

Interview: César Díaz – Our Mothers (Nuestras Madres)

Directed by Guatamalan filmmaker César Diaz, Our Mothers premiered at Cannes Critics' Week section and took home the top prize for a first time...

Wisdom Tooth | 2019 PYIFF Review

A seductive debut film, Liang Ming’s Wisdom Tooth is a bildungsroman, both understated and immersive. Vividly rendered characters, organic humor plus a splash of...

Interview: Carlo Sironi – Sole | 2019 PYIFF

Italian filmmaker Carlo Sironi — whose shorts have already brought him attention at Venice and Locarno — has now given us a striking first...

Interview: Aoqian Sun – Over the Sea | 2019 PYIFF

Before first-time Chinese filmmaker Sun Aoqian became a ravenous student of cinema, he was born to a family of farmers. Much of his childhood...

2019 PYIFF / Day 9: It’s a Wrap!

On Day 9 of the festival, PYIFF organized a special excursion for foreign press: a day trip to An Ze, a mountain known for...

2019 PYIFF / Day 7: Melina León’s Song Without a Name & Sun Aoqian’s Over the Sea

Pingyao is beautiful in the rain. Slick cobblestones reflect the warmth of red lanterns. Storefront lights give the night a neon glow. Pedestrians scurry,...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...