Tag: Ana de Armas

38 Londres Street: Sebastian Stan Confirmed, Ana de Armas, Alfredo Castro & Antonia Zegers Added to Gálvez’s ‘Impunity’

As we inch closer to Cannes, we are learning the film package identities to the ten Investors Circle Initiative and among the hottest items...

Blonde | Review

Eccentricities of a Blonde-Haired Girl: Dominik Explores Our Assassination of Iconicity There’s no human who’s quite bedazzled the zeitgeist like Marilyn Monroe, the most...

Deep Water | Review

An Affair to Dismember: Lyne Returns to Remind Us of the Adult in Adultery “The love story is never the whole story,” is a fitting...

No Time to Die | Review

A Time to Love & a Time to Spy: Fukunaga Lays Craig to Rest in Bond Bacchanalian It all comes full circle, or at least...

Sergio (2020) | Review

The Last Thing He Wanted: Barker Resurrects Martyred Diplomat in Feature Debut Documentarian Greg Barker returns to the subject of U.N. High Commissioner for Human...

The Night Clerk | Review

Spy Hard: Cristofer Returns with Faulty Noir It’s been nearly twenty years since Pulitzer Prize winning scribe Michael Cristofer has developed a theatrical feature, last...

2020 Sundance Film Festival: Miranda July, Julie Taymor, Dee Rees & Sean Durkin in the Premieres Section

The most acquisitions and distributor launch-pad friendly section of the festival, the Premieres category had some big ticket items in Nisha Ganatra's Late Night,...

Yesterday | Review

Never Underestimate Beatlemania: Boyle Is The Walrus Like McCartney without Lennon, Danny Boyle’s Yesterday is long on whimsy, short on content—but it works. An entertaining one-note fantasy rom-com...

2019 Sundance Film Festival Predictions: #60. Michael Cristofer – The Night Clerk

While we commonly associate Sundance with youngling breakout talents, young-at-heart Pulitzer Prize winning playwright, screenwriter (Bonfire of the Vanities) and actor (most recently Evil...

Tuesday Blus: Intermezzo, Blade Runner: 2049 & Mark Felt: The Man Who Brought Down the White House

This week’s edition of Tuesday Blus includes the following titles: Intermezzo (1939) Film Review: ★★★/☆☆☆☆☆ Disc Review: ★★★/☆☆☆☆☆ It’s a tale as old as time, more vintage than...

Blade Runner 2049 | Review

A Time to Brood: Villeneuve Delivers Sleek, Stylized Mood Noir with Sci-Fi Sequel Do androids dream of electric sheep? It’s a question never completely answered,...

Top 25 Most Anticipated Studio Films of 2017: #1. Denis Villeneuve’s Blade Runner 2049

Blade Runner 2049 Director: Denis Villeneuve Writers: Hampton Fancher, Michael Green At this time last year, Denis Villeneuve was at the top of our most anticipated Studio...

Knock Knock | Review

While We’re Young: Roth’s Revisits Grindhouse Home Invasion Genre director Eli Roth presents his first remake, Knock Knock, a rehash of a 1977 grindhouse thriller,...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.