Eccentricities of a Blonde-Haired Girl: Dominik Explores Our Assassination of Iconicity
There’s no human who’s quite bedazzled the zeitgeist like Marilyn Monroe, the most...
The Last Thing He Wanted: Barker Resurrects Martyred Diplomat in Feature Debut
Documentarian Greg Barker returns to the subject of U.N. High Commissioner for Human...
Spy Hard: Cristofer Returns with Faulty Noir
It’s been nearly twenty years since Pulitzer Prize winning scribe Michael Cristofer has developed a theatrical feature, last...
The most acquisitions and distributor launch-pad friendly section of the festival, the Premieres category had some big ticket items in Nisha Ganatra's Late Night,...
Never Underestimate Beatlemania: Boyle Is The Walrus
Like McCartney without Lennon, Danny Boyle’s Yesterday is long on whimsy, short on content—but it works. An entertaining one-note fantasy rom-com...
While we commonly associate Sundance with youngling breakout talents, young-at-heart Pulitzer Prize winning playwright, screenwriter (Bonfire of the Vanities) and actor (most recently Evil...
This week’s edition of Tuesday Blus includes the following titles:
Intermezzo (1939)
Film Review: ★★★/☆☆☆☆☆
Disc Review: ★★★/☆☆☆☆☆
It’s a tale as old as time, more vintage than...
A Time to Brood: Villeneuve Delivers Sleek, Stylized Mood Noir with Sci-Fi Sequel
Do androids dream of electric sheep? It’s a question never completely answered,...
Blade Runner 2049
Director: Denis Villeneuve
Writers: Hampton Fancher, Michael Green
At this time last year, Denis Villeneuve was at the top of our most anticipated Studio...
While We’re Young: Roth’s Revisits Grindhouse Home Invasion
Genre director Eli Roth presents his first remake, Knock Knock, a rehash of a 1977 grindhouse thriller,...