Tag: Andrea Scarso

Fatherland | 2026 Cannes Film Festival Review

Every Mann for Themselves: Pawlikowski Remains Chilly with Cold War Permafrost Two iconoclastic German writers are locked in a spiritual duel for relevance at the...

Interview: Josh Safdie – Marty Supreme

Marty Supreme marks a new evolution in the work of Josh Safdie, a filmmaker whose auteur signature is defined by nervy momentum, abrasive intimacy,...

Eddington | Review

No Country for Smart Men: Aster Satirizes the Obvious It would seem all is actually for naught in Eddington, Ari Aster’s sprawling, meandering fourth and...

MaXXXine | Review

A Touch of Minx: West Concludes Ersatz ‘Trilogy’ with a Moan It’s an impressive endeavor to unleash three consecutive, thematically related films within the span...

The Duke | Review

The Goya Next Door: Michell’s Swan Song a Slender Thread of Anti-authoritarianism We’re primed to believe in the importance of a film whenever we’re greeted...

Seance [Video Review]

The Girlfriend Experience: Barrett Mines B-Movie Tropes in Hybrid Throwback There’s no greater hotbed of dysfunction and perversity than the homosocial staples of either the...

Voyagers [Video Review]

It’s the Journey, Not the Destination: Burger Hurtles into Space for Humanity’s Last Stand Perhaps it’s not what Emerson envisioned, but the sentiment remains the...

Misbehavior | Review

Through Beauty, Equality: Lowthorpe Examines Intersections Through Provocative Period Nexus Sporting material speckled with enough players and perspectives to justify a much longer format, Philippa...

The Secrets We Keep | Review

The Forgiveness of Blood: Rapace Shines in a Loose Regurgitation of Dorfman Play The strangest aspect of The Secrets We Keep, the third feature from...

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2026 Cannes Critics’ Panel: Day 7 – Andrey Zvyagintsev’s ‘Minotaur’

We nearly lost this master filmmaker during the Covid...

Her Private Hell | 2026 Cannes Film Festival Review

What Have They Done to Your Daughters?: Refn Returns...

Fjord | 2026 Cannes Film Festival Review

Uncanny Valley: Mungiu Explores Liberated Prisons Totalitarian mentality is driven...

Six Months in a Pink and Blue Building | 2026 Cannes Film Festival Review

Years We Fell Apart: Razo Resurrects the Final Throes...