Tag: Charles Dorfman

The Lost Daughter | Review

Parallel Mothers: Gyllenhaal Paints a Dark Portrait in Sinister Ferrante Adaptation “Attention is the purest form of hospitality,” is a quote from Simone Weil utilized...

2022 Sundance Film Festival: Phyllis Nagy, Lena Dunham, Jesse Eisenberg, John Patton Ford & Hazanavicius Fill Premieres Section

In the Premieres section you'll usually find a mix of studio unveilings and high profile acquisitions titles and in the almost equal split between...

South of Heaven | Review

Heaven’s Grate: Keshales Settles for Watered Down Tropes in English Debut Nearly a decade ago, directors Aharon Keshales and Navot Papushado promised to usher in...

Honest Thief | Review

Can’t Stop, Won’t Stop: Neeson Goes Nowhere in Another Derivative Offering Every generation tends to spawn a golden year action star from an aging flock...

Death of Me | Review

The Dead Don’t Die: Bousman Weathers a Storm in Slow Burn Genre There’s no predicting what to expect from Darren Lynn Bousman, other than we’re...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...