There’s Always Tomorrow…Maybe: Fidell Explores the Familiar Predicaments of the LTR
Director Hannah Fidell follows her 2013 debut A Teacher with concisely minded 6 Years,...
Potentially filling Sundance's quota for difficult relationships, Hannah Fidell (profiled in our IONCINEPHILE series) will have moved from the heated, self-deprecating rapport between prof...
Technically her sophomore point fifth of a feature (65-minuter We're Glad You're Here precedes A Teacher) which has amusingly gone by a vast array of titles...
Life Lesson 101: Fidell’s Morbid Debut Comes Close to Compelling
While thankfully neglecting to employ a moralizing agenda to its taboo courting subject matter, Hannah...
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile (read...
IONCINEMA.com’s IONCINEPHILE of the Month feature focuses on an emerging filmmaker from the world of cinema. Following Ryan Coogler (July) and Destin Daniel Cretton...
I'm pretty sure that four years back when Trevor Groth and John Cooper (Sundance programming tandem who overhauled, switched over and re-defined the Spotlight...
Moving from last year's eight selections (which included Craig Zobel's Compliance), this year section described as "a “greater” next wave in American cinema" balloons...