Tag: Harry Melling
Butterfly Jam | 2026 Cannes Film Festival Review
For a Few Delens More: Balagov Congeals in the Garden State
Kantemir Balagov brings his native Nalchik to New Jersey with his English language debut...
Pillion | Review
Sit & Deliver: Lighton Assumes Positions in Titillating Debut
There’s a melancholic seductiveness to Pillion, the directorial debut of Harry Lighton, based on the 2020...
Harvest | Review
Sheep, Sheep, Sheep: Tsangari’s Monotonous Treatise on Modernization
Adapted from a novel by Jim Croce, Harvest is Greek auteur Athina Rachel Tsangari's third feature narrative,...
Shosana | Review
Winterbottom Cranks Yet Out Another One, This Time A Forgettable Thriller With No Bite
Michael Winterbottom never stops. For over three decades, the filmmaker has...
Faster, Stronger: Harry Melling Joins Kantemir Balagov’s ‘Butterfly Jam’
Last week we updated our readers with the exciting news that award-winning cinematographer Jomo Fray was among the chief crew onboard Kantemir Balagov's third...
The Pale Blue Eye | Review
Poe Boy: Cooper Fails to Find the Exquisite Beauty in Eerie, Dreary Period Mystery
You’ll certainly be reduced to the mindset of the weak and...
The Tragedy of Macbeth | Review
O Brother Wherefore Art Thou: Joel Cohen’s Stunning Solo Shakespeare
Joel Coen’s first solo effort as director sans brother Ethan is visually sumptuous, visceral Shakespeare:...
2022 Sundance Film Festival Predictions: Amanda Kramer’s Please Baby Please
Currently on an amazing almost film per year streak, Amanda Kramer first landed onto the film festival scene with 2018's Ladyworld (TIFF selection) and...
The Devil All the Time | Review
Devil May Care: Campos Composes Heady Southern Gothic
For his fourth feature film The Devil All the Time, based on the 2011 novel by Donald...
Waiting for the Barbarians | Review
Enemy at the Gate: Guerra Heads to the International Frontier with Flat Coetzee Adaptation
The richness and heft of Ciro Guerra’s cinema gets lost somehow...
