A Bear to Care: Attanasio Scores Modest, Sincere Debut
Although lacking in originality and narrative energy, director Annabelle Attanasio more often than not makes up...
How does free will exist when moral responsibility, opportunity and happenstance constantly impede on an individual's further actions? Blending themes of attachment, addiction and...
A New York-native, first time writer/director Nia DaCosta premiered her poignant family drama, Little Woods, on home turf at Tribeca 2018. Set in the...
Selected for the US Narrative Competition at the 2018 Tribeca Film Festival, we've been tracking Nia DaCosta's feature debut project since sitting down with...
Donnybrook
With a film budget that likely surpassed the total coin amount of his first three films combined, Tim Sutton (a featured IONCINEPHILE alumn) moves into...
Little Woods
With POTUS45 somewhat peeved with it's neighbor to the north, Canada nonetheless remains a sanctuary and is more friend than foe especially when...
Possibly belonging to a Frozen River and Sin Nombre type of harrowing universe where there are no real alternatives, Nia DaCosta's directorial debut will...
A filmmaker we've been keeping tabs on since the late naughts when his Slamdance/SXSW preemed 2007's Murder Party dropped, Jeremy Saulnier played a significant creative role with...
Large Spectacle: Hollywood’s Answer to Petit’s Infamous Le Coup
A singular man with an impossible goal dealing with the ultimate stakes of life or death....
A Spoonful of Violence: Hopkins’ Unbalanced Sophomore Effort
Actress turned screenwriter turned director Karen Leigh Hopkins unleashes her sophomore feature Miss Meadows after its premiere...
To Live and Drive in LA: Carnahan’s Trip into Hollyweird
In an unprecedented and surprisingly brusque move, Universal chose to dump Joe Carnahan’s latest film,...