Husband and Wives and Bears, Oh My!: Levine’s Dark Dream an Ambiguous, Playful Psychodrama
The crux of our innate creative necessities might require something beyond...
Persistence pays off. Bryan Wizemann has been painstakingly hacking away at indie film since 1998's Sense following that with 2005's Losing Ground, 2011's About...
Duck Butter
The cerebral, analytical, politically charged Beatriz at Dinner might have been a turning point for Miguel Arteta, and we're feeling that a new mantra...
Out in the Moonlight, Just Like We Used to Do: Smith’s Throbbing, Eerie Debut
The unnerving quality of Sarah Adina Smith’s directorial debut, The Midnight...
Potentially filling Sundance's quota for difficult relationships, Hannah Fidell (profiled in our IONCINEPHILE series) will have moved from the heated, self-deprecating rapport between prof...
Technically her sophomore point fifth of a feature (65-minuter We're Glad You're Here precedes A Teacher) which has amusingly gone by a vast array of titles...
Life Lesson 101: Fidell’s Morbid Debut Comes Close to Compelling
While thankfully neglecting to employ a moralizing agenda to its taboo courting subject matter, Hannah...
IONCINEMA.com’s IONCINEPHILE of the Month feature focuses on an emerging filmmaker from the world of cinema. Following Ryan Coogler (July) and Destin Daniel Cretton...