Words of War: Davies Recuperates Another Poet in Impressionistic Biopic
Following the critical success of his masterful portrait of Emily Dickinson in A Quiet Passion...
After premiering in the Directors' Fortnight and landing at the New York Film Festival, The Souvenir Part II - filmmaker Joanna Hogg’s highly-anticipated follow...
Immigrant Song: The Personal is Political in Sharrock’s Quietly Sincere Portrait of Asylum Seeker
The plight of the political asylum seeker is a complex situation...
Weathering Heights: Khaou Searches for Solace in Stodgy Travelogue
The adage born from Thomas Wolfe’s sentiment notwithstanding, the act of revisiting one’s origins through a...
We sat with filmmaker Peter Strickland following the premiere of his latest film In Fabric at the 2018 Toronto International Film Festival. Strickland shares...
Dress to Kill: Strickland Strikes Again in Luscious Homage to 70s Cinema
“Dress shabbily and they remember the dress; dress impeccably and they remember the...
After premiering at the 2014 Toronto International Film Festival, Peter Strickland's third feature The Duke of Burgundy went on to a limited theatrical release...
The Body and the Whip: Strickland’s Sublime Homage to Erotic Cinema
Beginning like something that should have been called Exploits of a Chambermaid, replete with...
Control: A Frenzied Look at the Early Days of the IRA
Yann Demange, whose resume consists of serviceable, albeit unexceptional, television fare, has achieved the...