Resident Evil: Berman & Pulcini Conjure a Satisfying Genre Throwback
Studio output of the 1970s, during the golden age of New American Cinema, allowed for...
A Touch of Class: Finley Explores Famed Embezzlement Scandal
Director Cory Finley revisits one of the education system’s most notorious scandals in Bad Education, an...
I Can Hear the Mermaids Singing: Eggers Unleashes a Hyper-Stylized Portrait of Nautical Madness
Virginia Woolf (who, having known something about the subject and its...
The Light House
Robert Eggers blasted onto the scene with what we can describe his own brand of unconventional horror. Production on his sophomore film,...
Robert Pattinson recently admitted that filming on The Light House was "the closest I’ve come to punching a director". Not exactly Kinski-Herzog in nature, but we...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.