The Children’s Hour: Kreutzer Poses Provocative Dilemmas
The complex trappings of denial are at the heart of Gentle Monster, the latest from Austrian director Marie...
A competition section of (currently) twenty-one features with, according to Thierry Frémaux, one more potential last minute Palme d'Or contender addition to be announced...
Welcome back to the second portion of our Cannes Film Festival Competition predictions. Earlier we had ten titles jostling among our prognostications; today we...
Léa Seydoux will topline the much anticipated drama by Corsage (read review) helmer Marie Kreutzer. Deadline reports that production will begin anytime soon on...
She rose to major prominence when she was showcased at the Cannes Film Festival's Un Certain Regard section with 2022's Corsage (read review), and now...
The fun part about dissecting TIFF's Gala and Special Presentations unveiling are what titles are skipping TIFF, which titles are moving directly from Venice...
As has been the Berlinale’s custom of years past, several early competition titles have been confirmed along with the 2019 opener, Lone Scherfig’s The...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.