Tag: Thorsten Schumacher

The Apprentice | Review

The Devil and Donald Trump: Abbasi Reconstructs the Rise of a Crony Capitalist Among the many wise observations written by nineteenth century Englishman Lord Acton,...

All Quiet On The Western Front (2022) | Review

War is Hell: Germany’s Oscar Entry Delivers Blunt & Brutal Depiction of WWI The most haunting image in filmmaker Edward Berger’s latest take on All...

Crimes of the Future | Review

Origin of the Neo-Species: Cronenberg Crafts a Discourse on Human Evolution Whatever the evolution happening in the world of David Cronenberg’s Crimes of the Future,...

Flag Day | Review

Americana Trauma: Penn Returns with Hysterical Melodrama After the formidable misfire of his last directorial effort The Last Face (2016), Sean Penn unfortunately doesn’t fare...

French Exit | Review

You’ll Like My Mother: Jacobs Finds Pfeiffer in Eccentric Dangerous Liaison Director Azazel Jacobs presents his most lavish offering to date with fourth feature French...

The Trial of the Chicago 7 | Review

Kangaroo Court: Sorkin Mounts a Famous Political Trial in Sophomore Feature A project finally brought to fruition after bouncing around in developmental hell for over...

The Beach Bum | Review

Tales of Ordinary Madness: Korine Courts Cutesy in Outlandish Stoner Comedy It’s no fun being the designated driver, which is the position the audience of...

Schnabel Paints Another Portrait of an Artist with “At Eternity’s Gate” | Blu-ray Review

Director Julian Schnabel broke an eight-year hiatus with At Eternity’s Gate, a film destined to enter a pantheon of cinematic snapshots on troubled artist...

Destroyer | Review

Sabotage Triage: Kusama and Kidman Break the Bank in Riveting Revenge Thriller Robert Burns’ eternal line “The best laid schemes o’ Mice an’ Men/Gang aft...

At Eternity’s Gate | Review

Pigments of Your Imagination: Inside Van Gogh’s Mind Julian Schnabel’s aesthetically-spellbinding Vincent Van Gogh biopic, At Eternity’s Gate, places viewers inside the Dutch artist’s eye....

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We Were Two: Jodie Foster Joins Daniel Auteuil in Rebecca Zlotowski’s ‘Vie Privée’

She's coming off a career-best with Other People's Children...

The Apprentice | Review

The Devil and Donald Trump: Abbasi Reconstructs the Rise...

Prix Iris 2024: Humanist Vampire Seeking Consenting Suicidal Person Leads “Quebec Oscars” Noms

Ariane Louis-Seize's Humanist Vampire Seeking Consenting Suicidal Person (winner...